BOLT

Took my boys to see Bolt on Saturday, and I have to say that it was a hit.

It's a less 'cutting edge' film than any of the Pixar releases. There didn't appear to be any gags that were aimed over the heads of its audience, including the adults there. It was just a nice, simple story, about friendships, about not judging "a book by its cover", so to speak, and about determination.

Bolt, the title pup, is the star of an action show, where he's led to believe that he really has super powers, thanks to the magic of special effects. When he is separated from his "person" and accidentally shipped across the country, he has to journey back to the left coast in the company of a cat and a hamster. The journey is challenging, all the more so when Bolt realizes that he doesn't actually have the super powers he thought he did.

It's a movie that works on the level it is intended to work on. A fun family film.

Next up: Despereaux

PJ. O'Rourke's take on Tomorrowland

I saw this over at Epcot Central.

A recent article in Atlantic Monthly by P.J. O'Rourke focuses on Tomorrowland at Disneyland in California, though it could just as well be about the Tomorrowland at Magic Kingdom, or as Epcot82 points out, about Epcot as a whole.

The article is called "Future Shlock", and it is interesting, in that someone who is sort of an "outsider", not really part of the crazy Disney fandom (with which I'm proud to identify myself), saying the same thing that I've heard and read in so many Disney criticisms on fan sites.

O'Rourke points out that it is likely more a failing of our society in general and not Disney in particular that Tomorrowland (and Epcot, though he doesn't mention it) is not very forward thinking or looking...in fact it is just the opposite - a "retro" Tomorrowland.

I tend to agree with O'Rourke. (He's one of my favorite writers - I've read a lot of his humorous commentaries on politics and sociology.) Our own society has gotten far less forward looking, instead we are focused on problems which are becoming huge right before our eyes. Health care, war and religious extremism, global security and terrorism, jobs and economy, corruption in government - all of these things seem more pressing than worrying about where Humanity (with a capital "H") is going down the road.

I just think that, and wish that, Disney (among other institutions) could provide some of the inspiration for looking to the future, instead of simply reacting to the times as they are. I'd love to see Disney be a source of optimism and forward thought, instead of being an escape/fantasy place with its parks and with its films.

Declining or Just Fine?

I was thinking about this as I read other blogs today. I really enjoy reading the Disney critics' work; people like Epcot82, the guys at Reimagineering (their blog has been quiet of late, but a couple of posts in the last week livened things up), and the guys at MiceAge, Kevin Yee and Al Lutz. I think it's clear that these guys love Disney and they make an effort to point out the good things along with the perceived bad. (Perhaps this is because there always seem to be some responses taking them to task for being so negative, or accusing them of hating the very things they obviously love so much.)

Is Disney really and truly declining, or is it just the inevitable effects of age? I sincerely do not know, because while I've been a Disney fan all of my life, I really only became "crazy" about Disney in the last 5 years or so. I know, from reading the bios of Walt and Roy and reading something about the history of the company, that the film division really fell off after Walt died, and maybe some before he passed on, if only because Walt's attentions were focused on other projects (like Epcot and the "Florida Project").

I know that when we go to Disney World (next trip: January of 09 - coming up!) and the one time we've been to Disneyland Resort (next trip: April of 09 - but not sure how much time we'll spend at the Disney parks), we had wonderful times. We had good meals, we had fun on the rides, at the shows, and even in the stores.

I'm all for making it better. Newer, fresher - these are good things. But is it really going downhill? Or is it just, as I'm sure Team Disney would say, catering to what the paying guests want, and don't care as much about?

Walt did everything to please himself, I believe. Who's the "Walt" for this bunch? Lasseter? Maybe he can partially fill those shoes, but with Disney being the huge corporation it is, controlled by huge stockholders and institutional investors, can ANYONE be the "Walt" of the 21st century? I really don't think that there is anyone who can do things just to please him- or herself, and there will likely never be such a person again, at least not with Disney. Maybe Steve Wynn comes close with his Vegas creations, but I can't come up with anyone else.

They did all this with virtually no competition, the first time around. Maybe competition is what they need.

Or do they need anything at all?

Pixar's PRESTO

We were going to watch our newly acquired DVD of Wall*E last night, but we got involved in doing Christmas decorating of the inside of the house (I got the outside done on Friday the 28th, and the tree was set up and decorated on the 29th). And today was a school day, so the boys had to go to bed earlier than they had over the last week or so.

But there was time to watch some of the extras from the DVD. And one was this Pixar short that we also saw in the theater. In the theater, I think the boys were overstimulated by the refreshments they were just starting to dig into, and by all the previews they had just finished showing, so I don't believe they paid as much attention to the short as they did in this more dedicated viewing session. They didn't seem to remember the subject very well, and I certainly don't recall them laughing at it uproariously as they did when we were watching it on our own TV.

Because laugh uproariously is pretty much what they did for the duration of this short film. The rabbit certainly got the better of the magician. I have to admit, I don't remember laughing as much at it in the theater as I did at home, either.

I can't wait to see the short entitled Burn*E. Maybe tonight.

Madagascar 2 - Escape 2 Africa

I'm not much of a reviewer - I like most everything I see.

This was a fun movie. It starts off with a flashback to Alex the Lion's childhood, when he is lured off the reserve and captured by poachers. His father catches up to them, and knocks the crate off the truck. Little Alex is rescued, and shipped to the Central Park Zoo, where he becomes the "King of New York".

Picking up where the last movie left off, our friends Alex (voiced by Ben Stiller), Melman (David Schwimmer), Gloria (Jada Pinkett Smith) and of course Marty (Chris Rock) are preparing to fly home to New York, in an airplane piloted by those inventive, resourceful penguins. Of course, the plane doesn't go as far as it's supposed to, and crash lands in Africa.

There are lots of little gags based on the last movie, and also on other movies as well. It's a cute, funny story, not quite as good as the first movie, but I think that's just because they tend to belabor the traits that make each of these animals funny in the first place, whereas in the first one, they sort of came naturally.

All in all, I and my sons enjoyed it.

Next movie: either Bolt or The Tale Of Despereaux.

Other Blogs

I don't quite know what I want to say here at this blog. I mean, I'm interested in all things Disney, and I'm especially interested in a lot of the stuff talking about the future, and its relationship to EPCOT and to the Tomorrowland sections of the parks. I like to do thought experiments about someday opening my own park, even though I know it's just that - a thought experiment - and it is highly unlikely it will ever go anywhere. I read a lot about Disney-related subjects, and since we'll be down at WDW in January over my birthday, I'm sure I'll come home with another cool book, and maybe will be inspired for a series of entries at that time.

For the time being, however, I'd like to point out a couple of other blogs that are saying things that interest me, with a depth that I'm not likely to achieve in my own entries at this point.

One of my favorites is Passport to Dreams. The blog contains scholarly analyses of tons of minutae at the theme parks, in a manner that is reader-friendly in addition to being informative and insightful.

Another favorite is EPCOT Central, whose author is passionate about that park and its declines over the years. Again, he writes about the perceived shortcomings of the unique theme park that have developed over the years of inattention. Apparently there are quite a few people who don't agree, but the discussions are interesting and fun, if you're interested in this park.

Blue Sky Disney is a frequently updated blog (sometimes two and three times a day) with news and reviews, and opinions, about all things Disney. The author (Honor Hunter) seems to have some inside insights to things at Disney Corporation, and his news and views are always informative.

MiceAge is sort of an online magazine, with regular features and articles posted daily (on weekdays) and a large message board (MiceChat) with tons of interesting discussion. Al Lutz seems to have his finger on the pulse of Disney in California, and Kevin Yee is a Florida WDW critic who has coined the term "Declining by Degrees", and who I truly enjoy reading. (A lot of posters seem to think he is overly negative, but I think it's clear that he loves Disney World and only points out the problems he perceives because he would like to see it get even better.)

Other blogs that I click on each day include Disney and More (hosted by Alain Littaye), Imaginerding, the Main Street Gazette, and FutureProbe (which also discusses Star Trek information). All of them except Disney and More have links just over there to the left on this page. (And I'll be adding Disney and More when I get around to it.)

Sooner or later I'll find my "voice" at this blog, and I'll find something to say that I (if no one else) find interesting. Until then, I'll be checking out all of these blogs and sites daily.

Legoland Schaumburg (IL)

Last summer we went to the relatively new Legoland in the Streets of Woodfield Mall in Schaumburg, Illinois. We were actually going to a Disney Vacation Club presentation about their new purchasing opportunities and the new stuff coming to Disney parks. (I had this premonition that we were going to win the grand prize of a vacation to WDW...shows you how accurate my premonitions are...)

Anyway, right next to the DVC home in Woodfield Mall was the Legoland, and, since my kids are 8 and 6, they began insisting we go there. They had been good, sitting through that DVC presentation (though there were parts of it they did enjoy), so we obliged. Besides, I was curious as to what it was.

From the outside, it looks pretty small. It does take up two floors, but a lot of it is a Lego store and the ticket taking and waiting area to get in. Once inside, it was bigger than it looked. You enter into a room with a scale model, in Legos, of the city of Chicago. There is also an area where the kids can control some cranes and vehicles. That's sort of a pre-show/waiting area to be admitted into the facility proper.

Once they admit the group you happen to be in, you walk into a pathway filled with full sized Lego creations, people, animals, and fantasy creatures. It's an area that the kids can touch and play on things, but there is not much to it.

When you exit that area, you see some more full sized figures. If I recall correctly, there were Star Wars figures, a Batman figure, and another character - Spiderman? I don't remember too well, though we probably have some photos of the figures.

Then you can visit the "attractions" such as they are. There is a dark ride through a medieval sort of scene where all the animatronics are made of Legos. It was not exactly Disney-quality, but it was pretty good. There is a 3D movie about an adventure of a Lego boy who has to go save a princess and fight an evil sorcerer. There is a tour of the Lego "factory", where you get a Lego brick at the end of the show. And there is a hands on area for creating Lego vehicles, much like you'll find at the Lego store in Downtown Disney, with ramps to run them on and bins of parts all over the place. There's a snack bar in the same room with the Lego parts, and of course you exit through the store.

It's a bit pricey for what they have, but the attractions are fairly good (if not Disney) quality.

I've never been to the Legoland in California, but I have to think that this is nothing like it, really....probably hard to compare the two.

The thought came to me that, what if one could create something like this, themed originally, of course, in my area? I think it could be a huge success. It has to be all indoors, obviously, but it is in interesting thought experiment.

Disney's America

Any Disney buff probably knows more than I do about this project - a park near Washington, D.C., located in Virginia that almost came into being in the mid-1990's but then was killed by resistance from locals and historians and such. The resistance was framed as opposition to Disney's potential sullying of historical sites, not to mention problems with Disney's telling of national history. (But one article I saw suggests that what it really was, was a bunch of wealthy influential people not wanting Disney in their back yards.)

There is a lot of concept art in various places on the web: I found a bunch on the blog Disney and More, a discussion hosted by Alain Littaye, a frequent contributor to Mice Age, often on Disneyland Paris subjects. A Google search for Disney America concept art will bring up plenty of choices.

It looked like an exciting park, though it would have been immensely interesting to find out what the Imagineers could have come up with for the "entertainment" part of their "edu-tainment" experience. Would the entertainment experience have differed markedly from what is available at so many other parks around the country?

Also of interest to me is, how would Disney have handled the climate at this park? Could coasters and water rides be an important part of the experience when the climate is somewhat unpredictable? In my searching the internet for articles about this park, I didn't find any that focused on how Disney was going to cope with this challenge. Most of the articles focused on the art, the plans for the park, and the reasons that it didn't come to be.

It seems to me that those challenges would have been hard to meet. Snow removal can be accomplished by mechanical means, and by heated walkways. (I believe that University of Illinois in Chicago uses some form of heated sidewalks to keep them clean in the winter snows. It didn't seem that complicated of a system...) But what about when it is snowing cats and dogs? The rides that are not indoors have to be shut down. Would they have operated the park year-round but shut down some of the attractions seasonally? Do they then charge different admission prices seasonally?

This is a topic I'm somewhat interested in, so I'll probably continue to write about it in the future - hopefully in a little less general sense.

Disney and St. Louis

Before Walt Disney World was built in Florida, it was reported that Disney had an interest in St. Louis as the site of their next development. Walt was, after all, from Missouri, and he was interested in city planning. The idea was to build the park along the Mississippi riverfront, in the area, I believe, that today is home to the entertainment district known as "The Landing".

I'm sure this isn't news to anyone knowledgeable about the history of Disney. But it is interesting to me, in that the company was willing to take the chance on building in, while not exactly the frozen north, a city where the climate is not always favorable to such an attraction. "Imagineering" a cold weather park interests me a great deal. (I may "think out loud" in future entries about the subject...or not...)

Here's links to a couple articles I found:

THE LEDGER - St. Louis Original Home to Disney

"Piece of Shep" blog

Jim Hill Media - Why Western River Went South

St. Louis Construction News and Real Estate - Put on Your Ears

If I find more articles I'll add more links.

RIP Tony Hillerman, Michael Crichton

Tony Hillerman, author of the Joe Leaphorn/Jim Chee mysteries set in the Four Corners region of Arizona/New Mexico (Navajo country), passed away on Sunday, November 2, 2008. I'll miss his unique tales of this region and the people there. He inspired me to make a swing through the area several years back, when I was able to check out Canyon De Chelly and some of the other sights in that part of the country. Hillerman was one of my "must read" authors, and leaves a gap in that list now. Maybe I'll find some other author worthy of buying the minute their books come out.

As if that wasn't enough, Michael Crichton passed away on Tuesday, November 4, 2008. Crichton was, of course, the author of such works as Jurassic Park, Congo, Eaters of the Dead, and The Andromeda Strain , to name a few of his works.

The world of genre fiction loses two important contributors.

National Geographic Special Edition

National Geographic has come out with a special edition commemorating the 50th anniversary of the space race. It has a foreword by Ray Bradbury, several good articles by other scientists/scientific writers, and tons of beautiful pictures of the Solar System and beyond.

It shows the promise the space program once held for Americans, and for humanity in general. But it's sad, also...to realize that we accomplished so much so quickly, then just took a step backwards.

Science marches forward, but if humanity doesn't go with it, what is it worth?

Tomorrowland Direction?

An excellent post can be found at Passport To Dreams titled "Futures With No Future, and it, and the resulting discussion, were, to me, quite interesting. The basic premise seems to be that Tomorrowland has lost most semblances of being about our future. Instead, it's been replaced with a "camp" version of the future, circa 1994.

In the interesting discussion that followed, someone suggested that because the future is "political", the public company known as Disney would have trouble endorsing a specific direction for that future. Whereas 30 or 40 years we perhaps looked to space for our future, now our future is consumed with worries about health care, about retirement, about security, and any number of other things. It's sort of turned inward.

We no longer have a national agenda for the "future", as we did many years ago, when Moonbases and space stations and Mars missions were on the docket. And we weren't just looking at robotic exploration of those things; we were looking at human involvement in those endeavors. Maybe we need one. Maybe we need one desperately!

Is Tomorrowland the right place for rendering such a vision? Is EPCOT's Future World? Well, why not? Millions of Americans go there to enjoy, be entertained, and just maybe be educated and inspired.

Maybe a better question would be: Does the Disney Corporation care enough about this? (Probable answer: Doubtful, except as it relates to increasing profits and share value.) But that's their problem, not ours.

In 1979, Isaac Asimov published a book called Extraterrestrial Civilizations. Some may remember Dr. Asimov as a science fiction author, the man who invented the Foundation universe, the man who invented the Three Laws of Robotics. Some may also remember him as probably the preeminent explainer of difficult scientific concepts. He wrote dozens of books with this as his goal. This book is one of those. (You can check it out here on Amazon if you would like to.)

In this book, Dr. Asimov suggests as a possible path toward exploration of our Galaxy the creation of space settlements, as detailed by American physicist Gerard K. O'Neill. Asimov suggests that hese settlements could be huge - perhaps holding as many as 10 million people. Moreover, Asimov suggests that these settlements could be set free from their tethers to Earth and become self sustaining worlds which he compared to the Phoenicians, the Vikings and the Polynesians - explorers in a much vaster sea than any previously explored. (Asimov postulates the development of hydrogen fusion reactors at some point in the future.)

Would this be an interesting concept to build a Tomorrowland around? You step into a floating colony that is meandering around a Galaxy that is just full of adventure and surprises. Virtually anything futuristic or alien would fit, and the theme would be positive enough, and far enough in the future, to be depoliticized (is that a word?) and fit with the Disney image. What if each attraction were a different floating colony in a different part of the Galaxy, or Universe? One could be near a black hole, one could encounter alien life, one could stumble into an interstellar war, etc, etc. The only boundaries would be the Imagineers' imagination as to what's possible.

I think something like this would be better for Tomorrowland than for EPCOT Future World just because it's quite a ways in the future no matter what - but it's a possible and plausible future. And who knows if a child will be inspired to be a space engineer and begin working on something like this? Or if the president of the future remembers this experience fondly and decides to listen to the futurists in his own time?

I don't know if anyone's reading, but I'd be interested in hearing what others think of this idea.

Jungle Book Viewing

I "forced" my kids to watch Disney's The Jungle Book with me on Sunday, and of course, once they got into it (took them about 5 minutes) they were entranced.

I know from reading about Walt Disney that the making of this movie cost him one of his excellent story artists, Bill Peet, who resigned after Walt disapproved of his initial treatment of the story. Peet, following the Kipling book, had storyboarded a film that was not at all what Disney wanted to make. Walt told him, "That's the problem. I don't want to make Kipling's Jungle Book, I want to make Disney's Jungle Book." Walt felt that the only song in the movie that would work in his version was "The Bare Necessities", and that it needed to be funnier, as the original work was sort of depressing. (I've not read the Kipling version.)

Walt gave the project to Wolfgang Reitherman, and asked the Sherman Brothers to write the score. He asked the principle artists if they had read the book, and when they said no, he told them to keep it that way. He told them the story he wanted to make and apparently contributed extensively throughout the making of the film.

One interesting tidbit I remember reading was that Disney had actually come to an agreement with the Beatles' agent, Brian Epstein, to have the Fab Four do some songs in the movie. But John Lennon nixed it forcefully, stating that "There's no way The Beatles are gonna sing for Mickey blankety-blank Mouse!" I'd guess that all that is left of that idea are the four vultures who appear near the end of the movie. One of them sounds a lot like Ringo, to me.

This was also, apparently, the last film that Walt directly worked on. It was released on October 18. 1967, a few months after Walt's death.

I knew my boys would love this once they got into it. They're big into Star Wars and video gaming right now, but they're as much a sucker for a good story (and that's what you usually get from a Disney film) as their dad is. I still haven't been able to get them to commit to watching Snow White and the Seven Dwarves, Cinderella or Sleeping Beauty, though I suspect that I will one of these days, and when I do, I suspect they'll be enthralled by those tales too.

Museum of Science and Industry Chicago New Exhibit

Perhaps I should wait until I've seen this to write about it, but a new permanent exhibit has opened at the Chicago Museum of Science and Industry, titled Fast Forward ... Inventing the Future. It looks to be a very interesting exhibit, and I'm looking forward to getting up there and seeing it.

It apparently features exhibits including one on a single occupant electric automobile that has a range of about 30 miles, and can reach speeds of up to 75 mph, a "food replicator" which would take coded information about food and "create" it in a processor, technology that could be useful for sustaining astronauts on long spaceflights, and vertical farming, where crops would be raised indoors and on elevated floors of a high rise farm. There are several other interesting exhibits, also.

I've read some discussion about whether EPCOT's mission should be to educate or to entertain, and while I've always voted "both", it's a fair question as to whether places like the Museum of Science and Industry and other science learning centers around the country do education so much better that it doesn't make sense to create a tourist destination with this as it's main goal.

Whatever the answer to this question, places like this can provide inspiration for the future.

There is also a Fast Forward podcast avaliable at the Museum of Science and Industry's website.

Next trip

We're planning a trip to Disney World for January. It will be 7 days, and we'll be staying in a 2 bedroom villa at the Animal Kingdom Lodge. Grandma and Grandpa are coming with us. We have our annual passes (we were there in June) so aside from food and a rental car, we're all paid up!

But as I think about our vacation, I wonder how much this economy is going to affect our future travel plans. I was checking air fares to Arizona in April (for the spring break week) and they're - well, shall we say pricey? I haven't checked the round trip fares to Orlando, but I won't be surprised if they're high. And if it affects me, how is it going to affect other Disney faithful?

Still, we're looking forward to a good time. On the dining schedule are meals at Le Cellier, the Yak and Yeti, and Ohana, to name a few. On the entertainment schedule is, well, all four parks! I'm looking forward to being there when it isn't as busy as the last 4 times we've gone. I'm looking forward to our accomodations, where they tell us we might wake up and see a giraffe from our balcony. I'm looking forward to the food, and to visiting some attractions that we have skipped previously (like most of the films in World Showcase).

Then, I'll be looking forward to my next Disney pilgrimage. Whenever that might be.

Tomorrowland and Inspiration

"A lot of young people think the future is closed to them, that everything
has been done. This is not so. There are still plenty of avenues to
be explored." Walt Disney

I found this quote to be interesting, since Walt obviously said it many years ago. The book (How To Be Like Walt) that lists it does not give a date for it, but let's assume it is in the 1950's or the 1960's. But it could be said of today's youth also.

Americans are falling behind in the sciences, and the number of our children going into hard sciences and pursuing graduate level education in those fields is dwindling. Why is this? Are these fields of study inherently uninteresting? Is there a perception that there is not enough money in careers in scientific fields? Not enough security? Do we as parents not promote their interests in such fields enough?

Walt was as interested in the future as he was in the past, and it shows in his parks. Tomorrowland was, more than any other part of Disneyland, Walt's toy. Oh, he loved other parts equally - he was a nostalgist as well as being a futurist - but Tomorrowland, like the future, was a malleable thing to him, or so it seems to me. Sadly, he didn't live long enough to continue his tinkering with Tomorrowland - of course, later in his life he was consumed with a "real" Tomorrowland, his plans for EPCOT.

In 1955, the three episodes of Walt's "Man In Space" were shown, featuring on-screen appearances by rocket scientists Wernher von Braun and Heinz Haber, along with director Ward Kimball and Walt himself. The third episode, "Mars and Beyond", was shown on December 4, 1957, just a couple of months before the Soviet Union launched Sputnik and the U.S. plunged into the "space race". This series was very influential. Eisenhower even requested copies of the Disney episodes to show to his staff, and it inspired countless young people to become space scientists, and played a big part in getting the nation behind the space program.

Do our young people need inspiration at this point in history? I believe they do, and I wish that Disney was one of the vehicles for this inspiration. Do they want to do what Walt did forty years ago? I am not at all sure they do. It might not be profitable.

That's okay. 'Profitable' is a good thing. It's what all businesses aspire to. It's just that Walt realized that doing positive things could be profitable, too, and he was far- sighted enough to see that the results of doing something like "Man in Space" could be measured in more than just dollars and cents.

Science Fiction Pessimism and Tomorrowland

A while back I was doing some internet searches when I happened upon a blog called Re-Imagineering, which is mostly a series of short essays about the problems with Disney as it exists today and what could be done to solve some of them. One of the discussions (about Epcot) was talking about exhibits people would like to see, and what sorts of things they might try to freshen it up, make it less corporate in feel. It was also talking about Tomorrowland and its original optimism about our future.

But that discussion shifted to some comments about the science fiction, especially in film, of today. It seems that most of today's SF is dystopian, and that most of the film projects outside of stuff like STAR TREK and STAR WARS (not really SF in any classic sense) are very dark visions of the future. They named Blade Runner, Minority Report, AI, and The Matrix. (I'd say that Vanilla Sky, Dark City, and I, Robot are also fairly dystopian, along with stuff like Final Fantasy, Waterworld, all of the Terminators, The Postman, Battlefield Earth, and maybe even The Day After Tomorrow (though the last is not far in the future at all).)

As I think about the SF I've read recently, first, there isn't a whole lot of it. ALTERED CARBON was a good book but pretty dark, as was the later book in the series I read, titled THIRTEEN. Dan Simmons' HYPERION series and his latest pair, ILIUM and OLYMPOS, are not exactly happy fantasies of the future. MANIFOLD: TIME and MANIFOLD: SPACE by Stephen Baxter are a little brighter; suggesting that human ingenuity will win out over politics. Kim Stanley Robinson's trilogy about the near future and environmental catastrophe (which starts with 40 SIGNS OF RAIN) takes the readers to a optimistic outlook at the end, but with a rough path to get there.

As I think about it, my question is, is there a story in a utopian future? Is it a story I want to read about? Novels are about resolving problems. In some ways it seems to me that any story is essentially a mystery. If there is a mystery, there is a problem to be discovered and sorted through. If there are no problems to resolve, if everything is hunky dory, it might make for a nice pretty painting but is there any story? I don't know. I was thinking about something like Asimov's Empire series, and while there is a lot of optimism there with the direction of humanity, when the story takes place, things are not so good. Heinlein's juveniles are more adventure story set in a fairly positively imagined future, but some of his adult works are a lot darker.

I see where they're coming from with respect to Tomorrowland, they don't want pessimism at Disney World, nor does it have a place. But I don't see a story in a future where everyone is happy as clams. Those Morlocks in HG Wells' novel weren't all that happy, and the surface beings couldn't have been thrilled with the status quo either. But THE TIME MACHINE wouldn't make for a very good Disney ride.

How Walt Looked At Things

I am currently rereading Pat Williams' (with Jim Denny) book titled How To Be Like Walt, and something I read in the chapter titled "The Plus Factor" struck me as I was reading other blogs and articles over the last couple of weeks. In the section subtitled "Walt and the Capitalist Bosses", Williams tells a story about Roy Disney pestering Walt to attend a stockholder meeting. Walt always refused to go, but Roy kept after him and finally Walt relented.

At the meeting, Walt took the podium and opened a letter from a man in Florida who owned a few shares of Disney stock. He read the letter to the assembled stockholders, which ended with this sentiment: "I don't care if I ever get any dividends. You just keep up the good work and keep making good pictures."

Walt then added "I wish this company had more shareholders like that one. He understands what Disney is all about." (Roy apparently never asked Walt to attend another stockholder meeting.)

That sums up Walts attitude about his business. It was about doing things right. When he and his employees did things right, they got a very good return on the investment, even if it didn't add up in advance to the beancounters, including Roy. The difference is that Roy understood and trusted Walt, and believed in him.

A huge problem with not only Disney today, but with many large corporations, is not only that there is no Walt running things, there is no Roy to figure out how to accomplish the things that made Disney special.

Does it make Disney special that they still make quality films? I believe it does. Does it make Disney special that they run the most unique theme parks in the world? I believe it does. Does it make Disney special that they run a timeshare business that is, at the moment, hugely profitable? I do NOT think it does. I like the idea of running a profitable DVC operation; I just wish that it could be a supporting part of the resort business instead of the main thrust.

First Post

Welcome to Disney Fan Ramblings, another in a (perhaps) overcrowded selection of blogs about any and all things Disney. This being my first post, I thought I'd write about developing a love for Disney.

It was 1975 when I first visited a Disney theme park. Our high school band was invited to march in the mid-day parade at the Magic Kingdom, and being a 15 year old member of the drum section, I thought I was far too cool to pay much attention to the park itself. My friends and I were totally absorbed with chasing girls from another high school band from New York. Consequently, I don’t remember much about the experience, besides repeated rides on Space Mountain, which was pretty recently opened at the time, and was one of the coolest rollercoasters in the world as far as I was concerned.

Admittedly, my experience with amusement parks at that point in my life was fairly limited. We had been to Six Flags over St. Louis at least once as a family, and I had also gone to that park as part of my grade school band. As a younger child, we regularly went to a park in Addison, Illinois, called Adventureland. Other parks in our area included Santa’s Village (recently closed) and Kiddieland (still open). These parks were dwarfed by Marriot’s Great America, however, which was themed around areas of the United States, like "Hometown Square", "County Fairgrounds", Yukon Territory", and "Orleans Place". As the guests entered Great America, they were treated to the view of a huge double-decker carousel, which is the same view they get today as they enter the park. And the familiar Warner Brothers characters like Bugs Bunny, Tweety Bird, Sylvester the Cat, and Daffy Duck populated the park.

In the Midwest, specifically the northern part of Illinois, the climate is not conducive to running an outdoor amusement park year around, so someone came up with the idea of building an enclosed park near Bolingbrook, Illinois. It was called Old Chicago, and was in the center of a huge building with an enclosed mall all around it. It had a small indoor log ride, a couple of rollercoasters, one called the Chicago Loop, with corkscrew inversions, and many smaller rides. But it failed in the long run, closing its doors in 1981 after being open for only 6 years. It seemed like a good idea but was probably not exciting enough to compete with the bigger coaster park Great America in the good weather months, and not a big enough shopping mall to bring in money and business.

Even with the limited experience, however, I was too young and too distracted to note the Disney theme park as something special. I was not too young to be able to appreciate some other Disney products, however, like their family films and the weekly television show I grew up with. Watching Uncle Walt introducing each weekly episode was a highlight of my week on Sunday night. It inspired me. It made me want to write stories like those I saw on there. It brought out my creative side. It educated me.

And my favorite movies were Disney fare - mostly animated features like ONE HUNDRED AND ONE DALMATIONS and LADY AND THE TRAMP, though there were live action movies that grabbed me, like THE PARENT TRAP and THE LOVE BUG. I loved the music from the animated features. Songs like CRUELLA DE VIL and HE’S A TRAMP were my songs of choice in the 1960's and early 1970's, before I discovered rock music and abandoned Disney to a younger generation.

Finally, with kids of our own now, we have rediscovered the magic of Disney. The films of old are still wonderful and enthralling for my children and me. The music appears on CDs and I’d often rather hear an old classic tune from a great movie than something more current. And the new films, by Disney Studios and by Pixar both have provided fabulous new additions to the DVD library. But mostly we are enthralled by the theme parks. They provide the escape from the pressures of everyday life that I find I need. They provide the entertainment and relaxation that make our vacations special. And more and more they provide a sort of inspiration for me; to strive to do things than I have been doing better, to be more creative, to try to inspire my own children.

Inspired by my experiences at Walt Disney World and Disneyland Resort, I’ve dreamed of trying to develop a theme park of my own. It’s only a thought experiment, I know, but it’s fun to dream about. (And who knows? Maybe something will come of it someday!) In the course of thinking about such a development, I have read several books and frequented several websites about related subjects. I’ve studied a little about ‘imagineering’, the Disney term for their park and ride designers and builders. I have looked at the Disney company, the behemoth that it has become in the 21st century. And I have studied the men responsible for the company’s beginnings and its growth over the years - Walt and Roy Disney, two brothers who were as different as two people could be, but who knew that they could trust each other implicitly.

I have all but concluded that it would be next to impossible to do what they did. It is a different time and a different climate, both in business and socially. But the relationship between Walt and Roy is the most important part in the equation, and how can anyone duplicate that? More than trust went into it. Brotherly love and familial bonds made it special and probably beyond repeating by design. I doubt that Walt and Roy really understood how their relationship contributed to the success of the Disney corporation until they were already successful beyond their dreams, and maybe not fully even then.

I will try not to be so wordy in future posts. Thanks for looking in here.